quotations about writing
The only characters I've made to resemble real people have been grotesques.
GLEN COOK
interview, SF Site, September 2005
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
GAIL CARSON LEVINE
interview, Bookshop Talk, September 22, 2011
Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.
FRAN LEBOWITZ
interview, Ruminator Magazine, August/September 2005
Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.
F. SCOTT FITZGERALD
letter to "Scottie" Fitzgerald, April 27, 1940
In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.
ERNEST HEMINGWAY
preface, The First Forty-Nine Stories
Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.
DAVID GERROLD
The Martian Child
I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.
DAVID GERROLD
A Matter For Men
I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds
Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
If it is a distinction to have written a good book, it is also a disgrace to have written a bad one.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
One writes because one has been touched by the yearning for and the despair of ever touching the Other.
CHARLES SIMIC
The Unemployed Fortune-Teller
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.
ALEX GARLAND
interview with Dennis Widmyer, July 30, 2007
Fine writing is generally the effect of spontaneous thoughts and a labored style.
WILLIAM SHENSTONE
Essays on Men and Manners
With pen and with pencil we're learning to say
Nothing, more cleverly every day.
WILLIAM ALLINGHAM
"Blackberries"
In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.
THEODOR W. ADORNO
Minima Moralia