quotations about writing
If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.
RAY BRADBURY
attributed, The Writer's Workout
If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
If it is a distinction to have written a good book, it is also a disgrace to have written a bad one.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."
ROGER ZELAZNY
interview, Phlogiston, 1995
I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.
JOHN GREEN
"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.
JAMES THURBER
The Paris Review, fall 1955
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
LOUIS ARAGON
Treatise on Style
I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.
PETER CAREY
The Paris Review, summer 2006
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
FLANNERY O'CONNOR
Mystery and Manners
Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.
FLANNERY O'CONNOR
attributed, The Book of Poisonous Quotes
All Writing Is Garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs. The whole literary scene is a pigpen, especially today.
ANTONIN ARTAUD
Selected Writings
Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.
WALTER BARGEN
"An interview with Walter Bargen, first poet laureate of Missouri"
Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds
While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.
THOMAS MANN
Tonio Kröger
When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.
DAVID SEDARIS
January Magazine, June 2000