quotations about writing
The text you write must prove to me that it desires me.
ROLAND BARTHES
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The Pleasures of the Text
Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."
ROGER ZELAZNY
interview, Phlogiston, 1995
The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.
LAWRENCE BLOCK
Newsweek, July 13, 2009
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
MARTIN AMIS
"The Past Gets Bigger and the Future Shrinks", Los Angeles Review of Books, July 21, 2013
The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
ROALD DAHL
Boy
My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.
ANNE LAMOTT
Bird by Bird
It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.
KELLY LINK
interview, Apex Magazine, July 2, 2013
Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
"Post to the Host", July 2005
The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.
JOHN DOS PASSOS
"The Business of a Novelist"
The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit -- for gallantry in defeat -- for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.
JOHN STEINBECK
Nobel Prize acceptance speech, December 10, 1962
If, while observing the boundless universe, the writer is able to scrutinise his own self as well as others, the resulting incisiveness of his observations will far surpass objective descriptions of reality.
GAO XINGJIAN
"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
Write books only if you are going to say in them the things you would never dare confide to anyone.
EMIL CIORAN
The Trouble with Being Born
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?
SAUL BELLOW
The Paris Review, winter 1966
When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.
JORGE LUIS BORGES
The Paris Review, winter-spring 1967
Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.
GEOFFREY CHAUCER
The Canterbury Tales
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.
AUSTIN O'MALLEY
Keystones of Thought