WRITING QUOTES XIX

quotations about writing

I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey


Better to write for yourself and have no public, than to write for the public and have no self.

CYRIL CONNOLLY

The New Statesman, February 25, 1933


The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story.

JOHN LE CARRÉ

attributed, The Creative Compass: Writing Your Way from Inspiration to Publication


I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.

MARKUS ZUSAK

"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014

Tags: Markus Zusak


As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.

SARAH DESSEN

interview, Puffin Books

Tags: Sarah Dessen


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.

FLANNERY O'CONNOR

Mystery and Manners


I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.

CHARLES BUKOWSKI

Interview Magazine, September 1987

Tags: Charles Bukowski


Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


After being turned down by numerous publishers, he decided to write for posterity.

GEORGE ADE

"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang

Tags: George Ade


A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

CYRIL CONNOLLY

Enemies of Promise


There is only one way to make money at writing, and that is to marry a publisher's daughter.

GEORGE ORWELL

Down and Out in Paris and London

Tags: George Orwell


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

Tags: Miguel de Cervantes


I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.

PHILIP ROTH

Deception: A Novel


Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)

DASHA FAYVINOVA

"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016


Human nature provides the lyrics, and we novelists just compose the music.

CARLOS RUIZ ZAFON

"An interview with Carlos Ruiz Zafon", Book Browse

Tags: Carlos Ruiz Zafon


This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


If people did not want their stories told, it would be better for them to keep away from me.

SHERWOOD ANDERSON

A Story Teller's Story

Tags: Sherwood Anderson


When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.

TANITH LEE

author's note, Wolf Tower


It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.

JOHN STEINBECK

The Paris Review, fall 1975