quotations about writing
Writing is therapy. It's so relieving. I can be super overwhelmed with life and work or whatever is going on and I can take 10 or 15 minutes out of the day to put all of the thoughts I'm having out on paper. Not all the time the person I can talk to and not judge me. Writing and my journals are my best friend.
DELICIA RASHAD
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 37
"Local Poet Releases Latest Book on Life, Love and Tea", San Diego Voice and Viewpoint, March 30, 2017
There are only two kinds of books which you can write and be pretty sure you're going to make a living -- cook books and detective stories.
REX STOUT
Royal Decree: Conversations with Rex Stout
This is a slow business to have success in. There are exceptions, but for the most part it's kind of like the last writer standing.... I've got gray. I've got plenty of gray. I'm creating a career slowly, like a coral reef.
ROBERT REED
Lincoln Journal Star, January 11, 2004
I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.
STEPHEN LEACOCK
How to Write
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
TOBSHA LEARNER
interview, Booktopia, February 22, 2011
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
ANNE LAMOTT
interview, Big Think, April 6, 2010
That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.
VICTORIA LAURIE
interview, Author's Den
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
MARK TWAIN
"How to Tell a Story"
Usually, you don't know where a book comes from ... it's just there, some kind of an itch that you can't quite scratch.
CORMAC MCCARTHY
interview with Oprah Winfrey, June 1, 2008
The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.
JOHN GREEN
"July 19: A Day in the Life of a Writer (Who Has No Friends)", YouTube
The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.
CYRIL CONNOLLY
The Selected Essays of Cyril Connolly
Once somebody's aware of a plot, it's like a bone sticking out. If it breaks through the skin, it's very ugly.
LOUIS AUCHINCLOSS
The Paris Review, fall 1994
You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.
JOHN JEREMIAH SULLIVAN
The Paris Review, winter 2012
I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
My job is not to try to give readers what they want but to try to make readers want what I give.
CHINA MIÉVILLE
The Guardian, September 20, 2012
If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
I have feelings, but my pen cannot and will not write feelings; nay, my heart has no mind that can coin them into words.
LYMAN ABBOTT
Reminiscences
In my view, if you write every day you're a certified graphomaniac, you're OCD, you're addicted to the physical act and not the real, spiritual one.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
There is probably no hell for authors in the next world--they suffer so much from critics and publishers in this.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.
ROGER ZELAZNY
introduction, "Passion Play"