WRITING QUOTES VIII

quotations about writing


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I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.

JOSÉ SARAMAGO
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The Paris Review, winter 1998


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You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.

ORSON SCOTT CARD

How to Write Science Fiction and Fantasy

Tags: Orson Scott Card


There is as much variety of pluck in writing across a sheet, as in riding across a country.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.

DAVID GERROLD

A Matter For Men

Tags: David Gerrold


When I taught, a lot of my students weren't big readers, so they would write something and I realized that they thought it belonged in a book. Like, they didn't know what the inside of a book looked like, you know what I mean?

DAVID SEDARIS

Oasis Magazine, June 2008

Tags: David Sedaris


Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

Tags: Donald Barthelme


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

Tags: Gail Carson Levine


For me, writing is just a thing I need to do everyday, like breathing or eating.

GUY CAPECELATRO III

"Power of music shines in Capecelatro's heartfelt album", Seacoast Online, March 30, 2017


Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

JAMES JOYCE

letter to Fanny Guillermet, September 5, 1918

Tags: James Joyce


So it is with all great writers: the beauty of their sentences is as unforeseeable as is that of a woman whom we have never seen; it is creative, because it is applied to an external object which they have thought of -- as opposed to thinking about themselves -- and to which they have not yet given expression.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


I held out my book. It was precious to me, as were all the things I'd written; even where I despised their inadequacy there was not one I would disown. Each tore its way from my entrails. Each had shortened my life, killed me with its own special little death.

TANITH LEE

The Book of the Damned

Tags: Tanith Lee


With pen and with pencil we're learning to say
Nothing, more cleverly every day.

WILLIAM ALLINGHAM

"Blackberries"

Tags: William Allingham


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

Tags: Aristotle


Here are the two states in which you may exist: person who writes, or person who does not. If you write: you are a writer. If you do not write: you are not. Aspiring is a meaningless null state that romanticizes Not Writing. It's as ludicrous as saying, "I aspire to pick up that piece of paper that fell on the floor." Either pick it up or don't. I don’t want to hear about how your diaper's full. Take it off or stop talking about it.

CHUCK WENDIG

The Kick-Ass Writer


I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.

DAVID SEDARIS

Oasis Magazine, June 2008


I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.

HANNAH ARENDT

interview, ZDF TV, Zur Person, October 28, 1964

Tags: Hannah Arendt


Lucky the one who writes in a book of spiral-bound mornings
a future in ink, who writes hand unshaking

JANE HIRSHFIELD

"Sweater"

Tags: Jane Hirshfield


When you finish one book, you don't want to just write the same book again.

JEFFREY EUGENIDES

Slate, October 10, 2011