WRITING QUOTES XXX

quotations about writing

In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984


I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

Tags: Rita Mae Brown


I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.

LEONID ANDREYEV

diary, August 1, 1891

Tags: Leonid Andreyev


I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.

ELIF BATUMAN

The Paris Review, winter 2012


I have no pleasure in writing myself--none, in the mere act--though all pleasure in the sense of fulfilling a duty, whence, if I have done my real best, judge how heart-breaking a matter must it be to be pronounced a poor creature by critic this and acquaintance the other.

ROBERT BROWNING

letter to Elizabeth Barrett, March 12, 1845


He was one of those poets who escaped the terrors of writing by writing all the time.

JAMES BALDWIN

Another Country

Tags: James Baldwin


Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.

ELIZABETH ZELVIN

interview, The Fix

Tags: Elizabeth Zelvin


Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.

SIMON ARMITAGE

"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017


Belief in one's identity as a poet or writer prior to the acid test of publication is as naïve and harmless as the youthful belief in one's immortality ... and the inevitable disillusionment is just as painful.

DAN SIMMONS

Hyperion


Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.

PHILIP ROTH

Paris Review, fall 1984


As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.

SPIKE LEE

"Fight the Power: Spike Lee on Do the Right Thing", Rolling Stone, June 20, 2014

Tags: Spike Lee


The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.

EUDORA WELTY

On Writing


It's tremendously hard work. Yes, I love arranging the words and having them fall on the ear the right way and you know you're not quite there and you're redoing it and redoing it and there's a wonderful thrill to it. But it is hard.

ELIZABETH STROUT

Newsweek, July 13, 2009

Tags: Elizabeth Strout


In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.

VIRGINIA WOOLF

"Women and Fiction", Granite and Rainbow


I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.

CHARLES DE LINT

"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction

Tags: Charles de Lint


Everybody has a hard job. All real work is hard. My work happened also to be undoable. Morning after morning for 50 years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation. If I did not do it, I would die. So I did it. Obstinacy, not talent, saved my life.

PHILIP ROTH

"My Life as a Writer", New York Times, March 2, 2014


As we understand it, the surest way to make a living by the pen is to raise pigs.

ROBERT ELLIOTT GONZALES

Poems and Paragraphs

Tags: Robert Elliott Gonzales


Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


Why write it? I thought it would earn me money.

ROBERT REED

interview, Fantasy & Science Fiction, December 18, 2012


When I started out I just wanted to write books. I still do. It's the best job in the world for so many reasons. I wanted the thrill of seeing my books on the shelves in bookstores. I still do. The idea of someone reading my work, enjoying it was just amazing--and it still is. The bar rises, and that's a good thing. It pushes us to write smarter, write better, to dig deeper creatively. The bestseller lists, the awards, the sales or movies, they're all really delicious icing. But the work--the stories, the books--that's the cake. Too much icing without a really good, solid cake? It's going to make you fat, lazy and maybe a little bit sick. It's always about the cake first.

NORA ROBERTS

interview, inReads, October 5, 2011