WRITING QUOTES XXVI

quotations about writing

Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

Tags: Jean Cocteau


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


The reason a writer writes a book is to forget a book and the reason a reader reads one is to remember it.

THOMAS WOLFE

The Autobiography of an American Novelist


No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.

JULIAN BARNES

The Paris Review, winter 2000


You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.

ISAAC ASIMOV

attributed, How to Become a Famous Writer Before You're Dead

Tags: Isaac Asimov


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.

SARAH DESSEN

interview, Puffin Books

Tags: Sarah Dessen


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher


I write fiction and I'm told it’s autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

PHILIP ROTH

Deception: A Novel


In the end, the secret of writing is to be a tortoise, not a hare.

JONATHAN KELLERMAN

"Novelist explains how psychology training honed his writing", USC News, February 25, 2016


Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.

SIMON ARMITAGE

"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017


At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.

TENNESSEE WILLIAMS

foreword, Sweet Bird of Youth

Tags: Tennessee Williams


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.

F. SCOTT FITZGERALD

"One Hundred False Starts", Saturday Evening Post, March 4, 1933


Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.

GARRISON KEILLOR

"Post to the Host", July 2005


I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.

ALAN HOLLINGHURST

The Paris Review, winter 2011


One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953