WRITING QUOTES XXIV

quotations about writing

Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher


Writers kid themselves -- about themselves and other people. Take the talk about writing methods. Writing is just work -- there's no secret. If you dictate or use a pen or type or write with your toes -- it's still just work.

SINCLAIR LEWIS

attributed, Just Open a Vein: A Book of Quotes for Writers

Tags: Sinclair Lewis


Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.

J. G. BALLARD

Crash

Tags: J. G. Ballard


There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


There is no way of writing well and also of writing easily.

ANTHONY TROLLOPE

Barchester Towers

Tags: Anthony Trollope


There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

Tags: John Jeremiah Sullivan


The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.

ROBERT STONE

attributed, A Writer's Book of Days


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


Remember that in today's market, distribution and promotion are as important as craft. But don't forget what made you want to write fiction. If it was for the money, you're in the wrong business!

ELIZABETH ZELVIN

interview, Book Browsing, July 26, 2012

Tags: Elizabeth Zelvin


Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.

WILLIAM FAULKNER

The Paris Review, spring 1956

Tags: William Faulkner


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.

ADAM RAPP

interview, Theatre Communications Group

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I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.

NICHOLSON BAKER

The Paris Review, fall 2011

Tags: Nicholson Baker


I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.

MARKUS ZUSAK

"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014

Tags: Markus Zusak


I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.

WILLIAM H. GASS

The Paris Review, summer 1977


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle