Irish novelist (1945- )
Ambiguity is the essence of Irish writing, I think.
JOHN BANVILLE
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"Oblique dreamer", The Guardian, September 17, 2000
He comes to them in disguise, tricks himself out as a bull, an eagle, a swan, or, as in the present case, a husband, and thinks to make them love him--him, that is, and not what or who he is pretending to be, as if he were a mortal just like them. Ah, yes, love, what they call love, it drives him to distraction, for it is one of that pair of things our kind may not experience, the other being, obviously, death.
JOHN BANVILLE
The Infinities
Never kept a journal before. Fear of incrimination.
JOHN BANVILLE
The Untouchable
What is it about the past? I can never understand it. Why is it so powerful? Why does it appeal to us as if it had some extraordinary pearl of meaning that we can't find in our present lives?
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
I think I am becoming my own ghost.
JOHN BANVILLE
The Sea
I have ever had the conviction, resistant to all rational considerations, that at some unspecified future moment the continuous rehearsal which is my life, with its so many misreadings, is slips and fluffs, will be done with and that the real drama for which I have ever and with earnestness been preparing will at last begin. It is a common delusion.
JOHN BANVILLE
The Sea
He knows that after him everything will continue on much as before, except that there will be a minuscule absence, a barely detective gap in the so-called grand scheme, one unit fewer now. Or not even that, not even an empty space where he once was, for all will rush immediately to fill that vacuum. Pft. Gone. Recollections of him will remain in the minds of others for a while, but presently those others too will die and his few relics with them. And then all will be dark.
JOHN BANVILLE
The Infinities
Gradually now he is becoming aware of something he cannot identify, a tremor that is all around, as if the air itself were quaking. It grows more intense. Alarmed, he takes a soft step backwards into the protective dimness of the room. Clearly he can hear the sluggish thudding of his heart. A part of his mind knows what is happening but it is not the part that thinks. Everything is atremble now. Some small mechanism behind him in the room--he does not look, but it must be a clock--sets up in its innards an urgent, silvery tinkling. The floorboards creak in trepidation. Then from the left the thing appears, huge, blunt-headed, nudging its way blindly forward, and rolls to a shuddering halt and stands there in front of the trees, gasping clouds of steam.
JOHN BANVILLE
The Infinities
I'm very much against the notion of the Great Man, the Great Figure who is telling us all how to behave. Writers are just like other people, except slightly more obsessed.
JOHN BANVILLE
"14th time lucky", The Guardian, October 12, 2005
Of all the things we fashioned for them that they might be comforted, dawn is the one that works. When darkness sifts from the air like fine soft soot and light spreads slowly out of the east then all but the most wretched of humankind rally.
JOHN BANVILLE
The Infinities
Time and age have brought not wisdom, as they are supposed to do, but confusion, and a broadening incomprehension, each year laying down another ring of nesience.
JOHN BANVILLE
Shroud
My mother was afraid of the books I wrote, afraid of what she would discover if she read them.
JOHN BANVILLE
The Paris Review, spring 2009
I reached for the bottle on the desk and drank greedily from the neck, making suckling noises. My mouth was raw from the long day's drinking. When I let my arm sweep down beside the chair the bottle slipped from my fingers and rolled with a joggling hesitancy on the polished wooden floor, pouring its heart out in lavish, gottal gulps. Let it spill. In truth, I dislike the smoke-and-ashes taste of bourbon, but early on I had fixed on it to be my drink, as part of my strategy of difference, another way of being on guard, as an actor puts a pebble in his shoe to remind him that the character he is playing has a limp.
JOHN BANVILLE
Shroud
He made the mistake of imagining that his possessions were a measure of his own worth, and strutted and crowed, parading his things like a schoolboy with a champion catapult.
JOHN BANVILLE
The Book of Evidence
To take possession of a city of which you are not a native you must first fall in love there.
JOHN BANVILLE
The Untouchable
The notion haunts me that I am being given one last chance to redeem something of myself. I am not speaking of the soul, I am not that far gone in my dotage. But there may be some small, precious thing that I can buy back, as once I bought back Mama Vander's silver pill-box from the pawnbroker's.
JOHN BANVILLE
Shroud
Espionage has something of the quality of a dream. In the spy's world, as in dreams, the terrain is always uncertain. You put your foot on what looks like solid ground and it gives way under you and you go into a kind of free fall, turning slowly tail over tip and clutching onto things that are themselves falling. This instability, this myriad-ness, that the world takes on, is both the attraction and terror of being a spy.
JOHN BANVILLE
The Untouchable
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
When I was a child and heard about angels, I was both frightened and fascinated by the thought of these enormous, invisible presences in our midst. I conceived of them not as white-robed androgynes with yellow locks and thick gold wings, which was how my friend Matty Wilson had described them to me--Matty was the predecessor of all sorts of arcane knowledge--but as big, dark, blundering men, massive in their weightlessness, given to pranks and ponderous play, who might knock you over, or break you in half, without meaning to. When a child from Miss Molyneaux's infant school in Carrickdrum fell under the hoofs of a dray-horse one day and was trampled to death, I, a watchful six year old, knew who was to blame; I pictured his guardian angel standing over the child's crushed form with his big hands helplessly extended, not sure whether to be contrite or to laugh.
JOHN BANVILLE
The Untouchable
There are times, they occur with increasing frequency nowadays, when I seem to know nothing, when everything I know seems to have fallen out of my mind like a shower of rain, and I am gripped for a moment in paralysed dismay, waiting for it all to come back but with no certainty that it will.
JOHN BANVILLE
The Sea