French novelist and playwright (1799-1850)
Paris is the crown of the world, a brain which perishes of genius and leads human civilization; it is a great man, a perpetually creative artist, a politician with second-sight who must of necessity have wrinkles on his forehead, the vices of a great man, the fantasies of the artist, and the politician’s disillusions. Its physiognomy suggests the evolution of good and evil, battle and victory; the moral combat of ‘89, the clarion calls of which still re-echo in every corner of the world; and also the downfall of 1814. Thus this city can no more be moral, or cordial, or clean, than the engines which impel those proud leviathans which you admire when they cleave the waves! Is not Paris a sublime vessel laden with intelligence? Yes, her arms are one of those oracles which fatality sometimes allows. The City of Paris has her great mast, all of bronze, carved with victories, and for watchman—Napoleon. The barque may roll and pitch, but she cleaves the world, illuminates it through the hundred mouths of her tribunes, ploughs the seas of science, rides with full sail, cries from the height of her tops, with the voice of her scientists and artists: "Onward, advance! Follow me!" She carries a huge crew, which delights in adorning her with fresh streamers. Boys and urchins laughing in the rigging; ballast of heavy bourgeoisie; working-men and sailor-men touched with tar; in her cabins the lucky passengers; elegant midshipmen smoke their cigars leaning over the bulwarks; then, on the deck, her soldiers, innovators or ambitious, would accost every fresh shore, and shooting out their bright lights upon it, ask for glory which is pleasure, or for love which needs gold.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
Kindness is not without its rocks ahead. People are apt to put it down to an easy temper and seldom recognize it as the secret striving of a generous nature; whilst, on the other hand, the ill-natured get credit for all the evil they refrain from.
HONORE DE BALZAC
Le Siècle
Is not Paris a vast field in perpetual turmoil from a storm of interests beneath which are whirled along a crop of human beings, who are, more often than not, reaped by death, only to be born again as pinched as ever, men whose twisted and contorted faces give out at every pore the instinct, the desire, the poisons with which their brains are pregnant; not faces so much as masks; masks of weakness, masks of strength, masks of misery, masks of joy, masks of hypocrisy; all alike worn and stamped with the indelible signs of a panting cupidity?
HONORÉ DE BALZAC
The Girl with the Golden Eyes
In spite of all that fools have to say about the difficulty they have had in explaining love, there are certain principles relating to it as infallible as those of geometry; but in each character these are modified according to its tendency; hence the caprices of love, which are due to the infinite number of varying temperaments. If we were permitted never to see the various effects of light without also perceiving on what they were based, many minds would refuse to believe in the movement of the sun and in its oneness. Let the blind men cry out as they like; I boast with Socrates, although I am not as wise as he was, that I know of naught save love; and I intend to attempt the formulation of some of its precepts, in order to spare married people the trouble of cudgeling their brains; they would soon reach the limit of their wit.
HONORÉ DE BALZAC
Physiology of Marriage
If love is the first of the passions, it is because it gratifies them all.
HONORÉ DE BALZAC
Physiology of Marriage
If love is a child, passion is a man.
HONORÉ DE BALZAC
Physiology of Marriage
Feeble folk are as easily reassured as they are frightened.
HONORÉ DE BALZAC
The Vicar of Tours
Do you know how a man makes his way here? By brilliant genius or by skilful corruption. You must either cut your way through these masses of men like a cannon ball, or steal among them like a plague.
HONORE DE BALZAC
Père Goriot
Women understand better than we do the art of analyzing the two human feelings, which alternately form their weapons of attack, or the weapons of which they are victims. They have the instinct of love, because it is their whole life, and of jealousy, because it is almost the only means by which they can control us.
HONORÉ DE BALZAC
Physiology of Marriage
Who would not at the present moment wish to retain the persuasion that wives are virtuous? Are they not the supreme flower of the country? Are they not all blooming creatures, fascinating the world by their beauty, their youth, their life and their love? To believe in their virtue is a sort of social religion, for they are the ornament of the world, and form the chief glory of France.
HONORÉ DE BALZAC
Physiology of Marriage
What a handsome pair! Strange thoughts assail me as it becomes plain to me that these two, so perfectly matched in birth, wealth, and mental superiority, live entirely apart, and have nothing in common but their name. The show of unity is only for the world.
HONORÉ DE BALZAC
Letters of Two Brides
We regard it as an infallible principle that great sweetness of disposition united in a woman with plainness that is not repulsive, form two indubitable elements of success in securing the greatest possible happiness to the home.
HONORÉ DE BALZAC
Physiology of Marriage
Vice and disappointment and vindictiveness are the best of all detectives.
HONORÉ DE BALZAC
Gobseck
Thus we are brought to the third circle of this hell, which, perhaps, will some day find its Dante.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
There are husbands, tall and of superior intellect, whose wives have lovers who are ugly, short, or stupid.
HONORÉ DE BALZAC
Physiology of Marriage
The woman who allows herself to be found out deserves her fate.
HONORÉ DE BALZAC
Physiology of Marriage
The virtue of women is perhaps a question of temperament.
HONORÉ DE BALZAC
Physiology of Marriage
The good we do to others is spoilt unless we efface ourselves so completely that those we help have no sense of inferiority.
HONORE DE BALZAC
"Letters of Two Brides", The Wisdom of Balzac
The countess approached the divan in the centre of the room, where Raoul was perorating. She stood there with her arm in that of Madame Octave de Camp, an excellent woman, who kept the secret of the involuntary trembling by which these violent emotions betrayed themselves. Though the eyes of a captivated woman are apt to shed wonderful sweetness, Raoul was too occupied at that moment in letting off fireworks, too absorbed in his epigrams going up like rockets (in the midst of which were flaming portraits drawn in lines of fire) to notice the naïve admiration of one little Eve concealed in a group of women. Marie’s curiosity—like that which would undoubtedly precipitate all Paris into the Jardin des Plantes to see a unicorn, if such an animal could be found in those mountains of the moon, still virgin of the tread of Europeans—intoxicates a secondary mind as much as it saddens great ones; but Raoul was enchanted by it; although he was then too anxious to secure all women to care very much for one alone.
HONORÉ DE BALZAC
A Daughter of Eve
The artisan, the man of the proletariat, who uses his hands, his tongue, his back, his right arm, his five fingers, to live—well, this very man, who should be the first to economize his vital principle, outruns his strength, yokes his wife to some machine, wears out his child, and ties him to the wheel.
HONORÉ DE BALZAC
The Girl with the Golden Eyes